The name of Jeff Koons is a synonym for almost all the solemn and ridiculous things in art. This self proclaimed "the most widely talked about artist" has always been controversial, but his works have never been ignored.

Since the late 1970s, Koons's earliest works have been mass-produced inflatable toys. In these works, he grafts a trace of childlike innocence with Sexual Metaphor and consumerism. Jeff Koons is by no means an elitist. On the contrary, he has always claimed that his works can communicate with the general public and tried to "deal with things in a way that everyone can establish contact with."

Jeff Koons uses the most exquisite display technology, and through the cooperation with skilled technicians, traditional craftsmen and physicists, he promotes the daily consumer goods to the spiritual field. In his hands, the most common things will go beyond their commonness and vulgarity and become real symbolic things, such as rabbit, which is nicknamed "Bunny blanches"

It started out as an inflatable plastic toy bought from a store. Koons bought it, filled it with air, and then cast it with a highly polished stainless steel replica. It has wrinkled ears like an inflatable toy, a spherical head and a bulging tail, but its face is blank. The mirror like surface of this sculpture melts the audience into the cold reflection. No matter from which angle, although it looks like a light shining Moore balloon, it is actually hard and heavy.

In addition to embodying luxury, wealth and spirit, "rabbit" has many meanings for me. It's a symbol of Playboy, dream and recovery. " Koons used an old idea to make a rabbit that was eating carrots. "It also symbolizes that a speaker, like a politician, is making a manifesto. Another masturbator put a carrot in his mouth Koons's keen choice of rabbit is not only because of his ambiguous suggestion about sexual impulse, but also because he admits the existence of child pornography in this society. It is this kind of ambiguity that arouses the audience's love.